
李晓蒙,上海外国语大学新闻传播学院讲师、中国国际舆情研究中心助理研究员、硕士生导师。美国俄亥俄大学斯克里普斯传播学院博士,国家留学基金委公派英国曼彻斯特大学中国研究院访问学者。上海市浦江人才,国际期刊Online Media and Global Communication执行编辑,并担任多本SSCI期刊审稿人。
研究方向:文化研究、社交媒体与流行文化、女性与性别研究
教授课程:新闻传播学理论基础、新闻传播学研究方法、视觉传播理论与技术、研究伦理与学术规范(留学生)、媒介与社会
学术发表:
译著:
李晓蒙(2022),联合国教科文组织:《报道针对女性和女童的暴力-记者手册》(Reporting on Violence against Women and Girls)
论文:
Li, X. (2025). “I Feel Like a ‘Cyber-Gypsy’”: BL Fanfiction Writers in China’s Changing Landscape of Fandom Culture. Journal of Popular Culture, 56(2), 137-149.
Li, X. & Ng, E. (2024). “Block!”: State-netizen constructions of cancel culture in China. Television & New Media, 26(1), 104-118.
Li, X. (2024). “Yea I’m a f* Tomboy”: “girl crush,” postfeminism, and the reimagining of K-pop femininity. Social Semiotics, 34(4), 576-592.
Ng, E. & Li, X. (2023). Brand nohomonationalism: guofeng (“National Style”) framings of boys’ love television series in China. Asian Studies Review, 47(3), 613-630.
Li, X. (2023) Constructing the ultimate “leftover women”: Chinese media’s representation of female PhDs in the postsocialist era. Feminist Media Studies, 23(3), 902-917.
Li, X. (2020) How powerful is the female gaze? The implication of using male celebrities for promoting female cosmetics in China. Global Media and China, 5(1), 55-68.
Ng, E. & Li, X. (2020). A queer “socialist brotherhood”: the Guardian web series, boys’ love fandom, and the Mainland Chinese state. Feminist Media Studies, 20(4), 479-495.
Li, X. (2017). Political opportunity, new media, and environmental movement—case studies of Xiamen and Maoming anti-PX protest. American Review of China Studies (ARCS), 18(2).
Li, X. (2017). The entanglement of signs: examining the political turn of Internet memes in China. Conference Proceedings: “Global Realities: Precarious Survival and Belonging.” ISSN: 2187-4751.

|松江校区| 中国上海市文翔路1550号(201620)